Последние обзоры NessSness

Fear and Hunger is a mind-blowingly innovative game, with combat, themes, and ideas I've never experienced before. PLEASE, if you do buy this game, promise me you will try not to look up anything relating to the game itself (besides if you get stuck, or if you want to find some slight direction, since the game doesn't really tell you how to advance). This game is designed around exploration and making CONSTANT decisions with big consequences, and by looking up how to do everything you take every ounce of fun out of this game. This game is hard, and it will strap you in for constant things that will piss you off. Saves are extremely limited, and a majority of the games actions are locked behind a coin toss. My advice? ♥♥♥♥ around, find out, and experiment when you can. A majority of the fun in this game is making terrible decisions and learning from your mistakes to make every new return to a save point more optimal. Also, if you hate excessive amounts of gore, nudity, and constant sexual themes, this is not a game for you. That stuff is everywhere, and it really sells the grotesque and vile atmosphere of this game.

I highly recommend this game. It's a massive improvement from its RPG maker predecessor Hylics.

Positives and improvements:
- Story is a lot more defined than the original Hylics, taking place after the events of the first game.

- Combat is... Beautiful. Everything in battle sequences is more animated now. Enemies now move in the most mesmerizing yet unnerving fashions, as opposed to the static images of the first game. The items and special attacks are also still just as animated as the first game, with the obvious artistic improvements of Mason Lindroth within that time period.

- The main overworld is also visually stunning.

- The music is extremely good, featuring a more... vaporwave-esque design? It's definitely a lot less grungy like the original Hylics, but still pretty grungy, which is a good thing mind you.

Some Gripes I had:
- Since Hylics 2 is now in 3D, It also features lots of platforming. In a game like this, that REALLY doesn't work well, since the strange visuals can be very confusing to understand where you need to land. Additionally, this game is 8 direction, not free direction, which comes with its own sense of difficulty trying to control your character. I can't tell you how many times I've fallen off of platforms simply because I couldn't make Wayne move smoothly on a platform and went too fast. However, using the forward dash in the overworld is really fun, so that kinda makes it better.

- The game is kinda hard to navigate and understand where you need to go next. Much of the time, it will simply tell you to head to a specific location or do a specific thing without any visual indicator of how to get there. I had to use a walk through quite a few times just to get my bearings.

- The game is very short. Now this is completely understandable, considering that Mason Lindroth has to scan his clay models FRAME BY FRAME, and that takes an eternity to do. However, It still kind've feels like I didn't get very long to enjoy the world he created. It only took me like 13 hours to complete the game.

In conclusion; buy it. The end.

Weird. As. ♥♥♥♥. Definitely a game that people who hate generic RPG combat may have trouble sitting through, but the game play itself isn't the reason you should go into this game, and especially not the story either (the story itself is practically nonexistent btw). you should go into it to experience the environment itself. This game is a work of art. It's grungy and abstract design is incredibly unique, unlike anything I've ever seen. And although the visuals leave a strange feeling in my stomach every time I see them, it's an experience I think everyone should see.

good