Instalar o Steam
Iniciar sessão
|
Idioma
简体中文 (Chinês Simplificado)
繁體中文 (Chinês Tradicional)
日本語 (Japonês)
한국어 (Coreano)
ไทย (Tailandês)
Български (Búlgaro)
Čeština (Checo)
Dansk (Dinamarquês)
Deutsch (Alemão)
English (Inglês)
Español-España (Espanhol de Espanha)
Español-Latinoamérica (Espanhol da América Latina)
Ελληνικά (Grego)
Français (Francês)
Italiano (Italiano)
Bahasa Indonesia (Indonésio)
Magyar (Húngaro)
Nederlands (Holandês)
Norsk (Norueguês)
Polski (Polaco)
Português (Brasil)
Română (Romeno)
Русский (Russo)
Suomi (Finlandês)
Svenska (Sueco)
Türkçe (Turco)
Tiếng Việt (Vietnamita)
Українська (Ucraniano)
Relatar problema de tradução
😘
I did cancel one performance in Holland where they thought my music was so easy
that they didn't rehearse at all. And so the first time when I found that out,
I rehearsed the orchestra myself in front of the audience of 3,000 people and
the next day I rehearsed through the second movement -- this was the piece
_Cheap Imitation_ -- and they then were ashamed. The Dutch people were ashamed
and they invited me to come to the Holland festival and they promised to
rehearse. And when I got to Amsterdam they had changed the orchestra, and
again, they hadn't rehearsed. So they were no more prepared the second time
than they had been the first. I gave them a lecture and told them to cancel
the performance; they then said over the radio that i had insisted on their
cancelling the performance because they were "insufficiently Zen."
Can you believe it?
-- composer John Cage, "Electronic Mu