Инсталирайте Steam
вход
|
език
Опростен китайски (简体中文)
Традиционен китайски (繁體中文)
Японски (日本語)
Корейски (한국어)
Тайландски (ไทย)
Чешки (Čeština)
Датски (Dansk)
Немски (Deutsch)
Английски (English)
Испански — Испания (Español — España)
Испански — Латинска Америка (Español — Latinoamérica)
Гръцки (Ελληνικά)
Френски (Français)
Италиански (Italiano)
Индонезийски (Bahasa Indonesia)
Унгарски (Magyar)
Холандски (Nederlands)
Норвежки (Norsk)
Полски (Polski)
Португалски (Português)
Бразилски португалски (Português — Brasil)
Румънски (Română)
Руски (Русский)
Финландски (Suomi)
Шведски (Svenska)
Турски (Türkçe)
Виетнамски (Tiếng Việt)
Украински (Українська)
Докладване на проблем с превода
😘
I did cancel one performance in Holland where they thought my music was so easy
that they didn't rehearse at all. And so the first time when I found that out,
I rehearsed the orchestra myself in front of the audience of 3,000 people and
the next day I rehearsed through the second movement -- this was the piece
_Cheap Imitation_ -- and they then were ashamed. The Dutch people were ashamed
and they invited me to come to the Holland festival and they promised to
rehearse. And when I got to Amsterdam they had changed the orchestra, and
again, they hadn't rehearsed. So they were no more prepared the second time
than they had been the first. I gave them a lecture and told them to cancel
the performance; they then said over the radio that i had insisted on their
cancelling the performance because they were "insufficiently Zen."
Can you believe it?
-- composer John Cage, "Electronic Mu