As far as virtual fantasies go, Kingdom Come: Deliverance II is up there with the greats.

Second time around, The Shell’s clever mystery buckles under its overbearingly slow pace and thematic muddiness, threatening to take down the whole series with it.

Despite the Indie market’s rhetorical trends, shortage of budget never condones a shortage of talent. Not even the Martian surface could rival Fort Solis’ pathos in a contest of barrenness.

Grief Like a Stray Dog is a hauntingly beautiful vignette on what war actually is and what it leaves behind.

Playing god is rarely so cathartic.

Come up with a creative way of how to combine Eternal Strands' excellent mechanics and the game will think one step ahead of you, yet you may find its narrative trailing behind.

All We Need has, at its heart, an interesting idea about how to tell an unguided story about redemption. Where it falters, though, is in how that story is told.

The remastered version of the Soul Reaver games makes a strong case for why some stories deserve conservation despite having been conceived a quarter of a century ago.

While featuring an interesting setting and immersive mechanics to enhance its storytelling, S4U suffers from localization and pacing issues, making it feel unfinished despite the superb atmosphere.

An infuriatingly generic ARPG: monotony and repetition soon overtake any and all enjoyment—its vast class-building isn’t enough to keep it afloat in an ocean of unambitious, boring design choices.