For me there is always more in a game than just learning the basic mechanics and completing it. After my first walkthrough I chose to replay the whole story again, not only because I wanted to find a new way to finish the story, but to learn more about the characters in the game (especially about the ones that I like). It's been a while since CD Project Red released Cyberpunk 2077. And since a lot of you out there share the love for Judy I thought it would be a great idea to make a guide about my favorite character.

I want this to be a very in-depth guide which means there will be plenty of spoilers below (so if you want to keep your playthrough spoiler free just come back later).

When I first saw Judy I already knew that she won't be just a "one mission" character in the story. She immediately caught my attention and I never skipped any dialogues with her. Furthermore I wanted to try every possible outcome of each choice (even if it wasn't what I wanted to happen) I made so when I create this guide I can provide information about each and every choice and it's outcomes.

This first version of the guide covers the Corpo life path and will be updated in the future to cover Street Kid and Nomad as well.

Thank you very much for reading it.

If you like it or want to see more (or just obsessed with Judy) give me a rate. Make it your favorite for easy access and feel free to leave any questions or comments.

"I was just thinking about you. And before you ask - no, you weren't wearing clothes." - Judy

(Please note that my PC has an nVidia GTX 1050Ti, so most of the pictures included are taken on a 1360x768 resolution on low/medium settings to avoid blurry images.)

(I started making this guide almost a year ago (January of 2021) and sadly I lost some images and notes since then that I wanted to include. I will try my best to recreate them.)

One of braindance's most gifted editors and a skilled techie. If she wanted to, she could get hired at any corpo entertainment studio and make bank, but Judy values her independence too much to sell out - she rejects every offer that comes her way. Her anarchist spirit drew her to the Mox in the hope that they could improve the lives of people in Night City. Her biggest flaw is that she can't keep her mouth shut in the face of injustice - something that always gets her in trouble. For some, though, it's her greatest virtue.

Basic information about Judy's appearance in Cyberpunk 2077

• Aliases: Jude, Punchin' Judy
  
• Gender: Female
  
• Origin: Hispanic
  
• Place of Birth: Laguna Bend, Badlands
  
• Residence: Judy's Apartment, Northside
  
• Age: In her twenties
  
• Skin: Fair, covered with many tattoos (I'll talk about them below)
  
• Hair: Short, shaved on the left side and dyed green with pink ends, naturally brown (you can actually have this hairstyle (except the color) as female V, it's the 22th hairstyle in the selection)
  
• Eyes: Dark brown
  
• Outfit: Light makeup (eyeliner, mascara and maybe a little of lipstick and eyebrow pencil), black nails. White crop top with a front tie, black overall (half up on the right side) with a shiny belt and big pockets, black sneakers with high stem and white sole. In mission "Pyramid Song" you can see Judy wearing her scuba diving wetsuit and later she wears only a bra and shorts.
  
• In-Game: She has multiple appearances in both main storyline missions and side quests.
  
• Voice Actor: Carla Tassara

List of tattoos on Judy (not all of Judy's tattoos have a meaning or it's yet unknown)

• A tattoo of an Angel is on the back side of her neck below the "Overcome" tattoo.
  
• A tattoo of a Cat face with two pawns is below her belly button and above her genitals (only visible in uncensored mode).
  
• The "Overcome" tattoo is on the back side of her neck above the Angel tattoo.
  
• A tattoo of a Dolphin is on her right upper arm above the Skull with a braindance box tattoo.
  
• A tattoo of a Firetruck is above her right breast (a momento to the abandoned firetruck she restored and had confiscated).
  
• A tattoo of a Grenade with a heart is on her left forearm.
  
• A ghost in a shell is on her right upper arm (Judy's contact image, Ghost in the Shell reference).
  
• The "I don't like you" tattoo is on her left ankle below the Lip tattoo.
  
• The "I refuse to sink" tattoo is under her right breast (only visible in uncensored mode).
  
• A tattoo of a Lip is on her left ankle above the "I don't like you" tattoo.
  
• A tattoo of an Octopus is on her right hand.
  
• A tattoo of an Owl sitting on a pistol is on her right thigh below the "Selfmade" tattoo.
  
• Tattoo of Patterns are on her left thigh, right pointer finger and left thumb.
  
• Tattoos of Red spiderwebs are on her right shoulder, her right elbow and on her left breast (only visible in uncensored mode).
  
• Tattoos of Roses are on her right upper arm, her left upper arm, her left forearm and on both sides of her neck.
  
• Tattoo of Seahorses: two of them with vertical mirroring on her lower back.
  
• The "Selfmade" tattoo is on her right thigh above the Owl sitting on a pistol tattoo.
  
• A tattoo of a Shark with a machine gun with the text "We all come from the sea" is on the left side of her waist.
  
• A tattoo of a Skull with braindance box is on her right upper arm below the Dolphin tattoo.
  
• A tattoo of a Spine is on her right forearm.
  
• Tattoos related to The Mox are on her left shoulder, her left upper arm, her left forearm and on the left side of her neck
  
• The "There was nothing to fear and nothing to doubt" tattoo is on her left upper arm (lyric from Pyramid Song by Radiohead)
  
• The "Underwater where thoughts can breathe easy" tattoo is on her right forearm (lyric from Parallel Univers by Red Hot Chili Peppers)

Side note: All sea creatures probably related to Judy's birthplace (Laguna Bend) which is now submerged.


Now let's jump into her bio.

(Source[cyberpunk.fandom.com] I wouldn't have written better myself)

Judy was born in Laguna Bend, a small town in the rural outskirts of Night City. Her father was never around, and her mother died when she was just a child. She still has a photo of her, but can barely remember her mother anymore. Judy was raised instead by her grandparents. Her grandfather was a techie and taught her all that she knows. She also loved to hear the stories he told. Her grandmother was temperamental, something Judy herself seemingly inherited.

While growing up in her hometown, Judy used to hang out with the other kids, sometimes playing street hockey on rollerblades or "MaxTac and psychos", though they often mocked her for not having her parents around and being poor. She also liked to eat the burgers of Flo's Diner, the only eatery in her town.

Around 2057, Judy hid Jenni Chapman's doll as she thought that only losers played with them. What Judy really wanted, though, was for Jenni to notice her, and she proposed to help her find the missing doll. In the end neither of those things occurred.

Despite not being religious, Judy sometimes visited her town's church - a building she always thought looked old and out of place - simply because it was just there. Once, she snuck inside of it when no one was around and stood at the altar, wondering what went through the priest's mind when he looked at the people, asking herself how he could read their minds and know everything about them. She then screamed at the top of her lungs to check the acoustics of the building, but when the echo returned, it scared her and run away. Judy thought it was all the guilt she felt for having a crush on Jenni, and after screaming it out, it had bounced back to her.

When the area of Laguna Bend was bought out by NC Dam Ltd. some time around 2062, the residents were forced to vacate as the corporation had plans to transform the region into a reservoir. Although there were protests in the months that followed, the residents were eventually outed from their homes. Judy and her grandparents moved into a rental apartment in Night City, but her grandparents hated the metropolis and left a couple of years later. They moved further north to Oregon while Judy stayed and made the apartment her own.

When Judy was sixteen years old, she was convicted and detained for stealing a fire truck. In reality, Judy had not stolen it but instead found it abandoned in a scrapyard. She decided to fix it up - which took her half a year - and then the police busted her on her first ride. They did not believe Judy and proceeded to detain her. Many years later, Judy tried to get some kind of compensation for what she thought was "an unlawful juvenile arrest." She contacted a lawyer in hopes she could help her win a compensation from the City Council, but she dismissed Judy stating it was something very difficult to achieve and not worth the trouble. Thinking that the woman didn't believe her either, Judy dropped the case.

Judy worked as a technician at Clouds for a time. There she met one of the dolls, Maiko Maeda, with whom she soon begun a relationship. Judy also helped her new girlfriend jump up the ranks by tweaking the stats on her doll-chip, not only to help her but also hoping things would change for the better for both of them.

At some point, Judy left Clouds and found work at Lizzie's Bar as a braindance technician and editor, joining the Mox in the process. She thought they could improve the lives of the people in Night City for the better. Judy installed her equipment on the bar's basement on behalf of Susie "Q", the Mox leader. It was at Lizzie's that Judy met Evelyn Parker, with whom she would eventually become best friends. Some time later, Evelyn left the Mox and became a doll at Clouds, though she and Judy still maintained contact with each other.[1][9]

Since Maiko's promotion, Judy's relationship with her had started to become more difficult, but still she visited her girlfriend at her office in Clouds whenever she could. Judy was jealous of how much time Maiko spent around other girls at Clouds, eventually commenting about it to Maiko, but got over it hoping to spend some interesting time with Maiko later that day. First though, Judy had to attend the anniversary of Lizzie Borden's death and the Moxes creation.
One day, when Judy was trying to get into Maiko's office the security didn't let her. After going home, Judy messaged her girlfriend and told her about it. Maiko tried to excuse herself saying it was due to "procedures", but Judy knew it was her call since the security had contacted her right before that. Maiko asked Judy to cool down, as this could mean trouble for her, stating she had to keep up some semblance of professionalism, and didn't want to lose her position after how much she had endured to be there. This caused an argument between the two in which Judy said that things were as bad as before, but not for Maiko as she was doing just fine. Maiko responded that she was doing it for them both, that she was thinking about their future together, and didn't understand why that made Judy so angry. Judy realized that their perspectives on the world had changed, and she had been left behind. Maiko was just looking for more power and Judy was ashamed she hadn't noticed sooner. Judy simply hoped that when Night City chewed up and spit Maiko out, she would still have something of her old self left. Some time after the argument, Maiko asked Judy to give her time to think about everything, and to give herself time to cool down, but for Judy it was over.

Some time later, Judy asked Maiko to go to her apartment and take back her clothes, something Maiko didn't care about and asked Judy to get rid of them. Despite this, Maiko wanted to go to Judy's apartment to talk things out, as she felt everything had escalated too quickly and maybe it was just a misunderstanding and that things didn't have to end that way, at least not so suddenly. Judy didn't buy it. There was nothing else to talk about, stating Maiko was doing what she always did - buttering her with promises she didn't actually wanted to keep. Judy said she would simply leave her clothes on front of the apartment's door, and would not open it if Maiko tried to knock. An angered Maiko answered Judy could toss her clothes out of the window if she wanted, as she didn't care and would not visit her. Judy sarcastically replied it was nice Maiko could afford to toss her clothes, and if any of hers were on Maiko's place she could leave them on the street for people who needed them. As for her ex-girlfriends clothes, since they were expensive, Judy stated she would rather burn them.

After a long time since her last talk, Evelyn contacted Judy, asking if she was still cooped on Susie "Q"'s basement and if she was still dating Maiko. Judy told her one of those things was still true. Parker had messaged her because she needed help with a small but important favor. She needed to have a virtu scrolled, and knew Judy was the best. In exchange, she promised her a life free of work where Judy could just focus on her art. Evelyn asked to at least meet, and wondered where she could find her. Judy simply answered "in Susie Q's basement".

Some time after Evelyn had explained what she needed from Judy, the two had some drinks at Lizzie's Bar while waiting for Evelyn's contact to appear. Once they did, Judy finished her drink and went back to the basement. Later Evelyn appeared with her contact and introduced V to her friend. Judy helped V to tune up for a braindance and showed them how to edit it. Afterwards they proceeded to scroll Evelyn's recording to find her objective. Once done, Judy gave V the portable device they had used for the scrolling, as it already had V's profile and in case someone could trace its use to her. She also commented that whatever it was Evelyn and V were planning to do it would kill them both, expressing she didn't want to have any trouble for helping them. Evelyn reassured Judy that there would be none.

(Source[cyberpunk.fandom.com])

"Either Evelyn Parker's got the best intel in town, the biggest pile of scratch, or the brightest godd*mn lucky star twinkling over her at night. F*ck, maybe she got all three. Still, good thing Dex sent you to that meet. You clean up better. Anyway, this goes down right, she'll be a nice new contact for us. And you know the deal - won't get anywhere without contacts in Night City. So don't f*ck it up, chica/mano.

Evelyn knows more than she's willing to spill. Only question is whether she thinks we're worthy of her trust... that's where you come in. Chick's gotta be seriously well-connected to have the kind of intel we need for this op. Make sure to squeeze every last drop out of her, V. And remember - major league's just around the corner." (from mission journal)

This mission has no important choices on the outcome of the story but it may affect your first impression with Judy (which could make sense but still not sure about that either).
The mission takes place in Lizzie's Bar located in Kabuki, Watson. As you enter the club you can collect "The Mox" shard from the counter. It's not fully related to Judy but you can still learn some important facts about the Mox.

""The Mox come to exist because it had to. We didn't have a soul in our corner, no one to make sure street justice was on our side. So we took matters into our own hands." The Mox is composed of the people who, if any of them disappeared from the streets tomorrow, you might never even notice: sex workers, ennyless artists (like Judy), aimless rebels, and restless souls who weren't dealt a fair hand. Today, the Mox is thriving, as demonstrated by the booming biz of Lizzie's Bar. Lizzie's is renown for being arguably the best braindance club in Night City." ("The Mox" shard)

Moving further you can actually see Judy and Evelynn at the bar, but if you run a scan on them, it won't display their names.

Scan results for Judy (interesting facts are underlined):

• Name: Regular
  
• Affiliation: The Mox
  
• NCPD Database: Wanted in Night City
  
• Reward: 45 SC (Street Credit)
  
• Bounty Class: 1 out of 5 stars
  
• Wanted for: Illegal protest, Resisting arrest
  
• Abilities: Combat Stim
  
• Weak to: 30% Poison

As you sit and talk to Mateo (the bartender), Judy leaves when you mention that you come to see Evelyn. After a long conversation with Evelyn you can continue downstairs
to Judy's workshop. Evelyn mentions that she knows Judy for many years now and that she can help with analyzing Evelyn's braindance.

"Judy'll help. She's a Mox, too. Besides, we go back, uh... years.
Then she points out that this is very important: "Judy's always there for me. Always helped out. I trust her. But she's a Mox, not the latest member of your crew. Try not to forget. So you'll be a good boy/girl, tread lightly and keep that tongue on a leash."

Just before you enter Judy's workshop you can find a shard on the right side of the door on the shelf about an article which was written by Judy (shard is called "Relieve.it - Braindance quarterly"). Here you can read it:

(On your way out you'll get an offer from Evelyn to cut Dex out of the business and get even more eddies than he would give. Unfortunately this decision also don't have any effect on how the story continues.)

Choice 1 (Timed choice):

• Hey, Judy. - V waves at Judy, she responds with a nod.
  
• Got quite a setup here - Judy will start talking about her gear, but Evelyn cuts in shortly.
  
• Not bad. This hardware's top-shelf. (requires 5 Tech) - This is the longest dialogue option. V and Judy talk about the in-depth specs of the gears Judy using to edit her braindances. She tells you she customized most of her hardware. It will take longer for Evelyn to cut in.
  
• (No choice) - Judy will tell Evelyn that her BD is compiled.

(Here where she sits you can notice another shard (named "Braindances - Concepts" the title speaks for itself))
Choice 2:

• Think I can take it. - Judy says "Right-o." Then you have to sit down to continue.
  
• No, never. - Judy tells V not to worry about anything. Then you have to sit down to continue.
  
• What's so raw about it? - This is the longest dialogue option. Judy tells V about the differences between ready-made and raw braindances. Then you have to sit down to continue.

After you sit down, Judy will put a braindance editor on your head.

Choice 3:

• OK, profile away. - Judy starts doing your sensory profile.
  
• A what profile? (Optional) - Judy explains what's the purpose of setting up a sensory profile for you.

Judy begins to create your profile. There you have to look at Judy for a few seconds.

Choice 4 (Timed choice):

• Am I gonna have to calibrate each time? - Judy tells V it's good to do the calibration, but don't have to do it every time.
  
• You do this often? - This is the longest dialogue option. Judy tells V that she gets some requests like this but most of them from the girls in the club.
  
• (No choice) - Judy tells V that the calibration is almost complete.

After this is complete you going to test your profile with an actual BD.

Choice 5:

• [Start BD] OK, let's do it. - Judy puts you into the tailored version of the BD. After that you will head into the editing mode.
  
• What's you choose? (Optional) - Judy reveals that she chose a BD about a corner store hold-up in Heywood. She also tells you she don't know where she got that BD from.

The BD starts playing and on the end you have to react to what happened.

Choice 6:

• That was... too much. - V tells Judy that he/she felt so much in so little time. Judy grins and tells V that he/she should've took blockers earlier.
  
• Could've warned me. - V tells Judy that she should've told him/her how much does dying hurt. Judy grins and tells V that real death hurts much more.

After this you will see the same BD but this time in editor mode. This is the part where you learn about how to analyze BDs and search for clues. If you finished with the recording you will move on the actual recording that you came for in the first place. V here wants to call T-Bug to help but Judy is not so happy about it. This is the first time when Judy gets upset.

Choice 7 (Timed choice):

• Judy - You can trust T-Bug. - In my opinion this option is the best of all if you want to have a good start with Judy. Judy won't like this choice either and questions you if she should trust T-Bug because you said so. Evelyn convinces Judy she is not in danger.
  
• Judy - Relax, Judy. Everything'll be fine. - Worst thing you can tell Judy? Probably this one. If you choose this option Judy gets very mad. V actually says if he/she can't call T-Bug he/she will leave. Evelyn has to ask Judy to do it but she won't be happy about it.
  
• Evelyn - Evelyn? - V tells Evelyn that he/she won't be able to get any information from the BD without T-Bug helping him/her. Evelyn brings up their agreement to convince Judy.
  
• (No choice) - Same outcome as the Evelyn? choice just shorter dialogue (V stays quiet). Evelyn brings up their agreement to convince Judy.

(Judy doesn't like the idea of bringing in a netrunner to help V)
With every choice you can continue with calling T-Bug. The main objective of the mission is to analyze Evelyn's BD thoroughly (approximately 10 minutes). It will be an additional help for you and essential for completing the mission "The Heist".

After you gathered all the information you need you can exit the BD. Judy will give you a portable device for handling BDs. She is worried about if anyone finds out about the recording.

Choice 8 (Timed choice):

• We really needed that recording, Judy. - V tells Judy that the recording was important. Judy still says if Arasaka finds out about the recording you all are as good as dead. Evelyn tells Judy to relax there's nothing to worry about.
  
• Relax - everything is under control. - V tells Judy to relax he/she got it under control. Judy gets a bit upset because she don't want to have uninvited guests because of the recording. Evelyn tells the same as V did.
  
• (No choice) - Evelyn tell Judy to relax there's nothing to worry about.

After standing up from the chair you can actualy have one more conversation with Judy but it's optional and lot of people miss it. You can trigger this if you walk up to Judy instead of leaving with Evelyn.

EXTRA CHOICE (Optional):

• Thanks, Judy. - V thanks Judy for helping him/her and that he/she got everything under control and there's nothing to worry about. Judy won't respond to this choice.
  
• Till next time. I hope. - V wishes that he/she meet Judy again soon. Judy says it depends on whether he/she wants to bring a netrunner again. V gets what she says and looks forward to see Judy soon.

Throughout the story, V will receive many calls from Judy. You can also call Judy after you get her number (of course it doesn't mean she is going to pick up every time). The first phonecall is an optional choice in the mission "Automatic Love". This is one of the phonecalls you can start.

This mission triggers after completing the mission "Playing For Time".
If you call Judy she'll be surprised because she thought you died after the heist.

Choice 1:

• Wanna talk to Evelyn. - Judy doesn't want to talk about Evelyn at all. V tries to persuade her but she refuses to answer anything.
  
• So did I. (Optional) - V admits that he/she also thought he/she is going to die.
  
• Heard about the heist? (Optional after choosing So did I.) - Judy tells V she didn't have to ask for details about the heist because everyone in the city already knows about it.

Choice 2:

• Let's meet. - V wants to meet with Judy but she doesn't respond to just hangs up.
  
• C'mon, you're the only lead I got. (Optional) - V asks Judy to help but she is just so stubborn.

"So you've decided to find the chick who put on this first-class sh*tshow. She had a job and you took it 'cause there was no one else to knock some sense into your gonk head. I'm here now, but so what? This search and rescue bullsh*t's a dead end, but that's not about to stop you. Maybe Evelyn will, who knows? Sure seems like she doesn't wanna be found." (from mission journal)

The main purpose of this mission is to find Evelyn Parker who gave you the job to steal the Relic. The Relic is a prototype. A biochip which contains the engram of Johnny Silverhand. He was a rockerboy known for his band (Samurai) but most importantly for bombing Arasaka Tower a few decades ago. So on the other hand he was a terrorist too. Now he is in V's head. The chip eventually saved V's life when he/she got shot by Dexter DeShawn. Sadly the chip is overwriting V's consciousness until V is completly gone. To prevent this V wants to finds Evelyn because he/she hopes that she can help with the Relic.

Calling Judy before going to Lizzie's is optional. If you don't call her you unlock more conversation with Rita Wheeler (bouncer) but these aren't related to Judy. The difference is that V has no clue if Judy is in her workshop or not. Also instead of saying "You just don't give up, do you?" she says "What do you want?" if you don't call her.

After you enter Lizzie's you can talk to Mateo (bartender) but he is not going to help you in anything (like usual). When you go downstairs Judy is already having an argument with Susie about why Judy pays attention to "useless girls" but she leaves when you approach.

Once you start talking with her you can actually decide if you want to be nice or rude to Judy. So be careful that it may affect your relationship with her.

After talking to Judy you will get confronted by Rita if you want to leave through the front door if you like Judy or not (even if you were rude to her). If you dislike Judy, Rita will actually tell you that no one cares about your opinion (maybe she is kind of simping for Judy too).

Side notes: Not sure if the last part also works the same as male V since Judy prefers women. The title of the mission comes from the Die Form song, Automatic Love. There was one dialogue with Susie (also you can leave through her office) which requires 5 Reflexes. It's about the argument with Judy but you won't learn anything new.

After leaving Lizzie's you have to go to the Megabuilding H8 which is in Japantown (Westbrook). In the elevator Johnny appears. He thinks that Judy is hiding something from you.

In Clouds you will get some information on Evelyn. This time I continued a peaceful interrogation and then left Clouds.

Choice 1:

• Lookin' for Evelyn. - Judy is "curious" why you want to find her.
  
• What was that all about? (Optional). - As Judy says: "Everyone in this city lives in their own godd*mn bubble. And either you fly high or sink into quicksand."
  
• That your boss? (Optional) - Good choice if you want to piss her off even more. I am sure that you didn't come all the way to Lizzie's just to talk about who's who in the Mox. Or do you?

Choice 2:

• Not your concern. - Judy wishes you luck to find her. This is what you get for being a douche with Judy.
  
• Sounds to me like you two talked. - Judy starts blaming you for messing up the heist and getting T-Bug & Jackie killed.
  
• Just need to know who hired her. (requires 5 Cool) - Goood. Finally you managed not to be a total d*ck/b*tch and tell Judy that you actually want to know who hired Evelyn. Judy tells V that Evelyn is a doll and she works at Clouds. She tells you to take Evelyn's cigarette case which contains the adress so you can go there and investigate.

Choice 3 (Not your concern. choice):

• If you don't know just say so. Don't waste my time. - Congrats! You just pissed off Judy so much that she tells you to "Get lost."! Of course you can still take Evelyn's cigarette case.
  
• Sounds to me like you two talked. - Judy starts blaming you for messing up the heist and getting T-Bug & Jackie killed.

Choice 4 (If you don't know just say so. Don't waste my time. choice):
You can still talk to Judy after taking Evelyn's cigarette case but she won't ask you to call her.

• Why there? - V asks if Judy is sure that Evelyn is at Clouds. Judy says: "Saw it in the tarots.". Then she threatens you to leave before she calls the girls.
  
• What's Clouds? (Optional) - Judy tells you it's a dollhouse but your chances are bad if you don't even know that much.

Choice 3 (Sounds to me like you two talked. choice):

• Played your part, too. - V tells Judy that she is as much involved as he/she is.
  
• [Show bullet wound] Took a hit myself. - Judy says it's common thing with mercs.
  
• She comished the heist, not me. - Judy says you still f*cked it up.

Choice 3 (Just need to know who hired her. choice):

• Sure, give you a call. - Judy thanks you (for not being mean after all).
  
• Sorry, no promises. - Judy knows once you find Evelyn she would only hope for you to call her.
  
• Better if I didn't. - Judy becomes sad but "accepts" you said no (why would you even choose this honestly?).
  

Choice 4 (Played your part, too. choice):

• Quit playing the victim. - You tell Judy not to play the victim here. Judy sees your point.
  
• Just tell me where the hell she is. (Optional) - V gets mad because Judy refuses to tell him/her where to find Evelyn. Judy says she doesn't trust V.

Choice 4 ([Show bullet wound] Took a hit myself. choice):

• She knew what she was getting into. - V tells Judy that Evelyn knew the risks and she was involved too. Judy sees your point.
  
• Just tell me where the hell she is. (Optional) - V gets mad because Judy refuses to tell him/her where to find Evelyn. Judy says she doesn't trust V.

Choice 4 (She comished the heist, not me. choice):

• You weren't there. - V tells Judy that she has no idea what happened. Judy sees your point.
  
• Just tell me where the hell she is. (Optional) - V gets mad because Judy refuses to tell him/her where to find Evelyn. Judy says she doesn't trust V.

Choice 5 (Sounds to me like you two talked. choice):

• Who are you to judge me? - This is the second option that pisses Judy off but here she doesn't stand up when sending you away.
  (Here you will get the same answers just like with If you don't know just say so. Don't waste my time. choice)
  
• Yeah, I'm pretty much f*cked. - You finally admit that you are screwed and you need help to find Evelyn. Judy believes you. Same end like Just need to know who hired her. choice.

Side note: This here is not the end of the mission. The rest is just simply not involves Judy and has no choices related to her.

This is also an optional phonecall. You'll get the option to call Judy after finishing the mission "Automatic Love". You can do this before entering Fingers's clinic in the mission "The Space In Between".

Choice 1:

• Got a lead on Evelyn. - V tells Judy that they may find more answers at Finger's. Then Judy becomes worried.
  
• Promised I would, didn't I? (Optional if V promised to call Judy). - Judy tells V that promising something and keeping it is two different things.

Choice 2:

• Heading there now. - Here Judy doesn't mention that she would show up there but she is already waiting for us.
  
• Know where to find him? (Optional) - Judy tells that you can find Fingers at Jig-Jig street and he is all kind of bad news.

Guess what happens when you don't call her? She will be pissed off because she is already waiting there. To be honest no clue why is she already there.

Side note: Here I missed a dialogue part when I didn't call Judy before meeting her at the clinic. This will be added in the next update of the guide.

"If I've learned one thing from joyhouses, it's to quit while the going's good. Stare at those fake smiles too long, and all you'll see is misery. As far as clubs go they're all pretty pathetic, but at least it's in their own way. You know the chances of finding Evelyn are close to zilch, right? Like that's gonna change your mind... Anyway, let's go pay a visit to this so-called Fingers. But if we don't find Parker, you owe me a drink." (from mission journal)

In this mission you have to visit Fingers clinic on Jig-Jig street in Japantown (Westbrook). Judy is already waiting for you there and she also had an argument with random people in the wait room. There you have to find a way to get into Fingers's room so you can talk to him.

Getting inside you will talk to Fingers with Judy. And of course Judy is so quick-tempered that she has already lost her patience.

There are 2 ways to get inside Fingers: Either you wait while he finishes up with the client or you enter through the window (requires 5 Tech). If you chose to enter through the window Fingers will be surprised and a bit mad while Judy tells you that she thought you are more like a door-person.

You will eventually get to the point to have Fingers talk. You can skip this whole sequence by simply choosing to punch Fingers. It's the fastest way for him to spill the truth.

In the interrogation part you can chose to side with Fingers or with Judy (of course not completly). This affects talking to Judy after you finished interrogating Fingers.

Side notes: If you punch Fingers, some of his cyberwares won't be available for you to purchase. The title of the mission comes from the How To Destroy Angels song, The Space In Between.

I missed out the conversation when V didn't call Judy so I will update it when I start the next playthrough

Choice 1:

• Glad you came. - Judy says Evelyn is very important to her. Just like Evelyn did when V first met her. She is worried about her.
  
• You know Fingers? (Optional) - Yes, Judy knows him and that his hands slip sometimes.

Choice 2:

• You talk to Fingers yet? - Of course the answer is no.
  
• Why'd Evelyn go back to Clouds? (Optional) - Judy says that Evelyn thought she would be safer there.

Choice 3 (Optional):

• Think Evelyn is here? (Optional) - Judy says maybe she is there but also hopes that she is not.
  
• Evelyn - she means a lot to you. (Optional) - Even a blind person can see that but extra convos with Judy can't hurt. Of course she is important to her. By the way how you came to that conclusion, exactly? At the end Judy says: "Once you get close to Evelyn, you never want to let her go."
  
• You used to work at Clouds? (Optional) - Judy says that she used to work there as their braindance editor (this information updates her biography as well). She also met Evelyn and Tom there.

Here I am going to quote what Judy responds to Fingers.
(I use Claire's Ponytail mod which you can download here[www.nexusmods.com])
Choice 4:

• Got a couple questions. - A more polite way to start out the conversation. Opens up more dialogues.
  
• Looking for Evelyn Parker. - A straight-forward approach to the conversation.

Choice 5 (Got a couple questions. choice):

• Fingers - Looking for Evelyn Parker. - Fingers want to finish his job first.
  
• Fingers - I'll wait. - Fingers will finish the on going procedure and then you can talk to him.
  
• Patient - Faceplate's damaged. (requires ? Tech) - Judy tells here that the faceplate is obviously not new.
  
• Patient - You sell rot. (requires ? Tech) - Same as the earlier choice but no responds from Judy this time.

Choice 5 (Looking for Evelyn Parker. choice):

• Fingers - Tell me where Evelyn Parker is. - Same as Looking for Evelyn Parker. choice, just more aggresive.
  
• Fingers - I'll wait. - Fingers will finish the on going procedure and then you can talk to him.
  
• Patient - Faceplate's damaged. (requires ? Tech) - Judy tells here that the faceplate is obviously not new.
  
• Patient - You sell rot. (requires ? Tech) - Same as the earlier choice but no responds from Judy this time.

Choice 6 (Faceplate's damaged./You sell rot. choice):

• Tell me where Evelyn Parker is. - Same as Looking for Evelyn Parker. choice, just more aggresive.
  
• I'll wait. - Fingers will finish the on going procedure and then you can talk to him.

Choice 7 (Tell me where Evelyn Parker is. choice - Timed choice):

• No time for games. - Fingers stops in mid-operation and you can speak to him.
  
• I'll wait. - Fingers will finish the on going procedure and then you can talk to him.
  
• (No choice) - Judy stops Fingers instead of you.

I am a bit sad for her.
Choice 8 (You get Looking for Evelyn Parker. if you were patient):

• Just told you, Evelyn Parker. - Fingers invites you to his office.
  
• You install faulty implants. (Optional, requires (?) Tech) - Judy tells him that he is a sick f*ck.
  
• Helpin' working girls. (Optional) - Fingers imply he sells top shelf hardware. Judy says: "Please. Scrapyards offer better quality than this."

Choice 1 (I have lesser options here for some reason):

• [Sit] Check your logs. - V asks Fingers to look into the data recordings but he says he won't keep data on things like that. Fingers says he tried to help her
  
• [Sit] Start talking or you'll have the Mox to deal with. - V threatens Fingers with the Mox. (You'll probably get this choice if you don't have a good relationship with Judy because here she is being referred as someone from the gang)
  
• [Sit] The name "Forrest" set any buzzers? - Fingers implies he doesn't know who you are talking about but on the end he just forfeits.
  
• [Punch] Better start remembering, or else... - Want to skip running in circles? Just threaten Fingers and you can leave in 30 seconds with all the info.
  
• You know her, I know you do. (Optional) - Fingers starts to imply he has some sort of medical condition so he can't remember things sometimes.

Choice 2 ([Sit] Check your logs./[Sit] Start talking or you'll have the Mox to deal with. choice):

• Get to the point. - Fingers still says he doesn't know about Evelyn's whereabouts. Judy starts yelling at him. She thinks he knows everything just don't want to tell. Fingers then insults her.
  
• What was wrong with her? (Optional) - Fingers starts to describe what was the problem with Evelyn.

Choice 3 (Get to the point. choice):

• Judy - Calm down, Judy. - Still not a good choice. Never was. Only if you want to make her mad. (Although she stays silent in this situation).
  
• Fingers - Don't talk to her like that. - It's official. You are a simp. Maybe the best choice here.
  
• Fingers - [Punch] I'm a hair away from putting you down. - V will bring Fingers to the ground. This scares Fingers and he spills everything.

Choice 4 (Calm down, Judy./Don't talk to her like that. choice):

• Where are these BDs recorded? - Fingers has no idea but he tells you that he called his fixer and two guy took Evelyn.
  
• You know for sure? (Optional) - Fingers kept in Evelyn for four days, still couldn't help her.
  
• Underground BDs? (Optional) - Fingers doesn't know what that is.

Choice 5:

• Where did they take her? - Fingers doesn't know that either. Judy gets mad because of it but won't do anything.
  
• Who's you fixer? (Optional) - His fixer is Wakako.

Choice 6:

• What were they planning to do with her? - Fingers thinks they want to roll a BD with Evelyn. Fingers insults Evelyn after Judy tells him what he did. She slaps Fingers then leaves.
  
• What'd they look like? (Optional) - Fingers says: "Like the kind of guys you don't want to make eye contact with."

Choice 7:

• [Stand] Judy's right. - You are on Judy's side (like why wouldn't you). Then you leave.
  
• [Stand] She's just upset. - You think Judy was just upset. Fingers flirts with you (gross). (This doesn't have a serious effect).
  
• [Punch] - I think this needs no explanation.

Choice 2 ([Sit] The name "Forrest" set any buzzers? choice):

• I'm asking the questions. - An agressive approach. Fingers tells that Woodman brought Evelyn to him.
  
• Yeah, we talked. - It turns out that Fingers got paid for Evelyn instead of he paying Woodman for her. But he wasn't interested in the money because he couldn't help her. Judy can't listen to this.

(After this you will get the same choices as with [Sit] Check your logs./[Sit] Start talking or you'll have the Mox to deal with.)
Choice 2 ([Punch] Better start remembering, or else... choice):

• [Punch] - This has the same effect like the other choice here. Choose this if you want to punch Fingers twice.
  
• Studio - what it, is where it is? - Fingers tells that it's a virtus with the Death's Head.

Choice 3:

• [Punch] - You knock out Fingers. (It has an effect if you want to get an implant from him in the future but seriously why would you want anything from him?).
  
• [Let go] - You have shown mercy this time.

"Every city's got its shady neighborhoods and "no-go" zones. Stepping into these areas in Night City is like wading into the abyss and feeling it stare back through your soul. Anyone with an ounce of sense avoids these haunts altogether. Your average gonk's usually seen limping out, bleeding from one or more places. And you, V? Just make sure you come out intact." (from mission journal)

You leave Fingers's clinic with Judy and plan to find Evelyn. Here you can choose between going with Wakako's help or sticking to the original plan (which is searching for the BD on your own with the help of the domain Judy provided.

Both gives you the BD scroll you need to continue. The difference is if you go without Wakako's help you will have to pay 1000 eddies for the scroll. The choice doesn't matter if you don't call or visit Wakako and know where to find Lenny Nero (braindance dealer).

After this you will analyze the BD with Judy to find out where Evelyn is. After this you can choose between going with Judy or by yourself to the location. If you choose to go by yourself you will miss some dialogues with her.

You will go to an abadoned power plant in Charter Hill (Westbrook). You must take out the scavengers in your way to rescue Evelyn. While you do this Judy will free up an elevator to get out easier.

You will find Evelyn in a room where she is recording in an unconscious state.

Side notes: You can hear the song 'Bells Of Laguna Bend' for the first time. The title of the mission comes from the Slipknot song, Disasterpiece.

This conversation can be different whether you chose Don't talk to her that way. or Calm down, Judy.

After Calm down, Judy.
Judy doesn't get why you got along with Fingers so well.
Choice 1:

• Can't afford to lose our nerve. - V tells Judy losing their cool won't do a favor to them. Judy pretty upset also worried here and thinks that Evelyn might be already dead. You say you shouldn't waste time and better start looking. Judy is disappointed because she expected more lead.
  
• Don't worry, we'll find her. - The usual "don't worry, Judy" stuff. Judy sure you will find something: maybe what's left from Evelyn's butchered corpse. V tells Judy to keep it together. Judy is disappointed because she expected more lead.
  
• How I got the info shouldn't matter. - Judy says you were too easy on Fingers.
  
• Fingers isn't that bad. (Optional if you didn't hit him) - You admit that Fingers isn't that bad. Judy has no words.

Choice 2:

• Need to find out where they scroll these things. - You are just guessing where they could be. Judy thinks they are not as bad to leave any trace behind.
  
• Death's Head - heard the term used, ever? (Optional) - Judy says it's related to XBDs. She tells you that XBDs are kind of footages that are harder to track down and they get around well because they are rarer.

Judy doesn't get your optimism.

Choice 3:

• Got a better idea? - Judy actually has a better idea. A domain called "Pleasures of Night City".
  
• Everyone, everything leaves a trace behind. - Of course your best BD specialist knows her way around and points to a domain called "Pleasures of Night City". I prefer this option.

After Don't talk to her that way. Judy is simply worried and doesnt mention what happened back in the clinic.
Choice 1 (You don't get the How I got the info shouldn't matter. choice):

• Can't afford to lose our nerve. - V tells Judy losing their cool won't do a favor to them. Judy pretty upset also worried here and thinks that Evelyn might be already dead. You say you shouldn't waste time and better start looking. Judy is disappointed because she expected more lead.
  
• Don't worry, we'll find her. - The usual "don't worry, Judy" stuff. Judy sure you will find something: maybe what's left from Evelyn's butchered corpse. V tells Judy to keep it together. Judy is disappointed because she expected more lead.
  
• Fingers isn't that bad. (Optional if you didn't hit him) - You admit that Fingers isn't that bad. Judy has no words.

Rest of the choices are the same.
Choice 4:

• I know a local fixer. - V tells he/she will call Wakako to get some information. Judy likes this less than the second choice.
  
• Let's give the dark net site a shot. - V will stick to the plan and try to find something on the domain Judy mentioned earlier..

Judy will wait in her van for you.

The BD starts and you have to analyze it to find the way to Evelyn.
Analyzing the BD with Judy in her van.
You can either go with Judy or by yourself.
Choice 1:

• Sure. - Ride with Judy. Opens up more conversations.
  
• [Get out] We'll meet there. - Going by yourself (no Judy for you this time).

Seriously. Can you resist this look?
Choice 2 (Sure. choice):

• What do you mean? - Judy tells that the guys who have Evelyn were gonks if they would not use Evelyn for their BD because it's difficult to find someone like her.

Found Evelyn. You have to disconnect her.
Choice 3:

• [Grip cable] I'm ready. - Getting ready to pull out the cable.

Choice 4 (Timed choice):

• [Pull] Now! - You pull out the cable.
  
• (Nothing) - Thought you can kill Ev just like that? Bad answer! V still pulls the cable instead of you.

Choice 5:

• Judy - [Pick up] Let's get her someplace safe. - You pick up Evelyn and leave the power plant with Judy.
  
• Judy - What's wrong with her? (Optional) - What do you think? She is traumatized. And Judy is not a doctor.
  
• Judy - Can we move her? (Optional) - Both unsure about it but you have to get out of there.
  
• Evelyn - Who hired you to contract out the heist? (Optional) - Don't. Ask. This. Seriously, you don't want to.

"There's nothing you can't take away from a person - you just gotta look hard enough. When all options are exhausted, you've still got a body that can be harvested, skills that can be put to good use... Oh, and let's not forget "dignity" - that's a classic. Hell, I'm starting to think I could've done worse than end up on this little Relic of yours." (from mission journal)

After rescuing Evelyn you are outside with Johnny who is trying to persuade you to smoke just one cigarette. After that, you enter Judy's apartment for the first time.

Judy says she managed to dig up some hidden braindances from Evelyn's memory just for you. She prepares the BDs. At this time you can talk to Evelyn but it's kinda useless since she is unresponsive.

When Judy is ready you can watch the first braindance. You can't get out who is Evelyn talking to in the recording but it leads you to the Voodoo Boys. In the second recording there is a reference for the Relic and Alt Cunningham.

Side note: The title of the mission comes from the Die Form song, Double Life.

Choice 1:

• You're mad at her? Why? - Because Judy found something on a virtu that Evelyn recorded and she didn't like what she saw.
  
• Need to talk to her. (Optional) - Even if Judy agrees to it (as she does) you still can't hope to find answers to your questions considering Evelyn's current state.
  
• How's she holding up? (Optional) - Judy thinks Evelyn is in some kind of trance. She did poke around in Ev's head just for us.

Choice 2:

• OK, let's see it. - Judy set the parameters. Here you can have an optional "conversation" with Evelyn.
  
• You watch them already? (Optional) - Of course she did. Why would she be mad if she didn't? Don't ask stupid questions.
  
• How many BDs are there? (Optional) - Quoting Judy: "Two. Only one of em's is intact, understandable, though. The rest... well, they're in the same shape as Evelyn right now."

Choice 3:

• Evelyn wasn't completly honest with us. - Judy is mad at Evelyn because of what she did. She knows now how you got involved in the heist.
  
• Woman who hired her... (Optional) - Judy: "Your guess is as good as mine"
  
• Now I know why they tried to flatline her. (Optional) - Evelyn knew more than they thought she would know.

Judy says that there is one more recording.
Choice 4:

• Have to know what they're saying. - Wait for the auto-translate package to finish loading then you can continue to listen to the conversation.
  
• Heard something about Yorinobu. (Optional) - Judy thinks that was the reason why Evelyn tried to hide this recording. They also mention Silverhand.

Choice 5:

• I really don't know. - Of course you don't know. Liar. And poor Judy believes it.
  
• Long story. - Judy would like to listen but V says it not the best time.
  
• His construct's on the biochip. - You tell the truth to Judy. This is the honest answer. She gets a bit confused.

Choice 6:

• I better get going. - V says he/she gotta run but will make a few calls. Judy wishes luck but she hopes you won't need it
  
• I'll ask around. - V tells Judy that someone must know a way how to get in contact with the Voodoo Boys. It's a smarter approach in my opinion but ends like the first choice. Judy wishes luck but she hopes you won't need it
  
• Why're you even interested. (Optional) - Judy tells you that she didn't use to trust you. She wants things to work out for you.

Choice 7:

• Thanks. - The longer conversation. Here Judy thanks you. She says you are a good person but Evelyn couldn't see it at first. Quoting her: "If she could've ♥♥♥♥♥♥ to know you a bit better, then... who knows, things might've come out differently."
  
• See ya around. - Judy thanks you.

After the mission "Down on the Street" you will have a phonecall with Judy. This is not optional. She asks you to come over because something happened. This call trigger the mission "Both Sides, Now".

"You ever hear the saying "No good deed goes unpunished"? You hold your hand out to someone, you get bitten. You help a poor soul in need, you get fleeced for all you're worth. Save someone's life? Fill in the blank." (from mission journal)

Judy will call you to head over her place. As you enter her apartment a horrifying scene obscures. Evelyn is lying in the bathtub, dead after she commited suicide. Judy sits beside her crying. She asks you to carry Evelyn's body to the bedrom while she calls the police. Judy becomes furious when speaking with the NCPD. After a little chat she asks you to wait outside while she changes Evelyn's clothes.

You will head to the roof of her apartment. She asks for a smoke. After that she starts talking about why Evelyn ended up commiting suicide. Fingers told you that he had Evelyn for 4 days but Judy asked Tom and he told her that Evelyn was missing for a complete week. Judy found it in Evelyn's braindances that Woodman had kept her for those 3 days and had his way with her until he got bored and then handed her off to Fingers. Judy wants him to pay for what he did. After the talk you leave Judy and let her think.

Side notes: This is the first side mission with Judy. Judy gave up smoking a few years ago but now she started it again. You can delay this mission as long as you want by not calling Mr. Hands during the mission "M'ap Tann Pèlen". The title of the mission comes from the Joni Mitchell song, "Both Sides, Now".

Choice 1:

• [Kneel] Gotta do something. - Skips the additional dialogue parts.
  
• [Kneel] Checked her pulse? (Optional) - Judy tells V that Evelyn is dead.
  
• [Kneel] How'd this happen? (Optional) - Judy has no idea and already told you but you gotta ask twice. Why?

Choice 2:

• Gotta do something with her. - Judy will call the badges while you carry Ev's body to the bed.
  
• Checked her pulse? (Optional) - (You can ask this twice.)
  
• How'd this happen? (Optional) - (You can ask this twice.)
  
• Can't blame yourself. (Optional after choosing [Kneel] How'd this happen?) - V tells Judy that she shouldn't blame herself for not watching Evelyn 24/7 and that Evelyn would've found a way to commit suicide.

Choice 3:

• Evelyn - [Lift] - V picks up Evelyn and carries her to bed
  
• Judy - Prolly shouldn't move her. (Optional) - V thinks it's a bad idea to move Evelyn before the cops arrive. Judy says they wouldn't care.

Choice 4:

• Death's a daily thing for 'em. - This choice will upset Judy.
  
• Went easy on them, anyway. - V tells that Judy went easy on the cops. Judy says nothing just sends you outside while she puts something on Evelyn to cover her body.
  
• NCPD's understaffed. - Judy says: "Big surprise. Who'd wanna be a corpo-fattened pig in Sty City?"

Choice 5:

• [Give cigarette] Fine, here. - You give a cig to Judy.
  
• No can do. (Optional) - "V, just give me a f*cking smoke."
  
• Sorry. Out. (Optional) - "Don't piss me off, not now."

Choice 6:

• She smoked some strange brand. - Evelyn smoked some strange boutique brand. Judy Tells V that nobody knew the real Ev.
  
• Want it back? - Judy tells V he/she can keep the case. She is glad that you have it actually.

Choice 7:

• Can't believe she gave up. - Judy doesn't think that Evelyn gave up. What Woodman did to her made her suicide.
  
• Dunno what to say. - Judy says: "Ah, you don't need to talk. It's what you bring that counts"
  
• Stay strong. - V tells Judy she need to stay strong. Her respond: "Let's just not say anything for a minute, 'K?"

Choice 8:

• Had no idea he was such a monster. - You both didn't know that Woodman is such a monster.
  
• So you found other recordings? (Optional) - Judy looked into the corrupted recordings. She found Woodman and what was he doing to Evelyn.
  
• What'd Woodman do? (Optional) - Judy saw what he did to Evelyn: "Yeah... and I really wish i could unsee it."

Choice 9:

• [Stand] Anything comes up - call. - You tell Judy she can call you if she needs anything.
  
• Sure you don't need anything? (Optional) - "No, but sweet of you to ask."

This mission here has no journal entry. After the mission "There Is A Light That Never Goes Out" Judy calls you (have a better chance if you enter Kabuki) that she wants to free Clouds from the Tyger Claws and needs your help. She wants to talk to Maiko Maeda (also a doll).

Honestly you will just waste your time by visiting Maiko. She won't agree to help at first. After leaving her office, Judy tells you that she used to have a crush on Maiko until she realised what she was really like.

Side note: The title of the mission comes from the Lauryn Hill song, "Ex-Factor".

Choice 1:

• I'm ready, let's go. - Judy extingushes her cig and you crack into Maiko's office
  
• Gotta know where to lead the convo. (Corpo optional) - Judy says you should expect everything from Maiko.
  
• How you aim to bring her around. (Optional after Tell me anything more about her?) - Judy wants to do it by telling the truth about what happened to Evelyn.
  
• Tell me anything more about her? (Optional) - Judy says: "Let me do the talking."
  
• You nervous? (Optional) - Maybe a bit. She wants to kill those guys badly.

Choice 2:

• You've used this entrance before? - Judy admits that she has been here before on occasion.
  
• Know how to get around their system? (requires ? Tech) - V tells Judy that no way she did get in that easy on her first try. Judy says it's not harder than the first time because the system hasn't been updated since.

Choice 3:

• Did what I had to do. - Maiko is curious why are you here.
  
• Don't mind me - here to blend into the furniture. - You tell Maiko you came to make sure Judy gets what she came for.
  
• Left a lasting impression. Good. (Optional requires ? Cool) - V tells Maiko how much he/she is proud of what happened at Clouds.

Choice 4:

• That all you're good at - blowin' hot air? - Maiko tells you that your attempt to get under her skin is pathetic. She asks if you going to threaten her next.
  
• Judy wants to make you a proposition. - Maiko thinks Judy wants to come back to Clouds but she actually wants Clouds to be taken away from Tyger Claws. Maiko doesn't seem to share Judy's view. Judy doesn't want anyone else to end up like Evelyn did. Maiko tells Judy that she is unstable so she and that you are more reasonable.

Choice 5 (Judy wants to make you a proposition. choice):

• Judy - This is a waste of time - You leave Maiko's office with Judy.
  
• Maiko - A Clouds employee took advantage of Evelyn. - You confront Maiko that Woodman took advantages of Evelyn and she did nothing. She says she can't do anything about it.
  
• Maiko - Judy's proposal - give it some thought. (Optional) - You just reveal to Maiko how much of a simp you are for Judy.

Choice 6 (A Clouds employee took advantage of Evelyn. choice):
Maiko - Shouldn't be workin' here, then. - Maiko doesn't pay attention to this.
Judy - This is a waste of time - You leave Maiko's office with Judy.
Choice 5 (That all you're good at - blowin' hot air? choice):

• We're not done talking. Hear Judy out. - V tells Maiko that she should listen to what Judy wants to say.
  
• Wouldn't rule it out. - Judy is curious that you two are done bickering. Quickest option of all to leave almost immediately.

Choice 6 (We're not done talking. Hear Judy out. choice):

• Gotta liberate Clouds, take over. - V tells Maiko that dolls should control Clouds. She doesn't even care to listen.
  
• We need you. - You tell that you want to help the dolls but Maiko makes fun of you.

Choice 7 (That all you're good at - blowin' hot air? choice):

• Judy - Waste of time, this. - You leave Maiko's office with Judy.
  
• Maiko - So not willing to help? - Of course she won't. Judy asks you to leave.

Side note: The end of all is the same. Maiko tells you that security will probably know shortly that V and Judy is here. She also tells you at the end that you can find Woodman on the maintenance level soon (Only if you haven't killed him in the mission "Automatic Love").

Choice 8:

• Might need time to think. - V tells Judy that Maiko needs time to think. Judy says she'll call her.
  
• She's probably scared. - V tells Judy that Maiko is probably scared that she could lose everything. Judy has a hard time believing that.
  
• Just part of her act. (Corpo life path) - You tell Judy that Maiko just acted back there and she'll probably call Judy about the plan.

Choice 9 (If Woodman is still alive):

• We kill the ♥♥♥♥♥♥♥♥♥♥♥♥. - You agree to kill Woodman.
  
• We pay him no mind. - You tell Judy that you don't want to kill Woodman. Judy doesn't like this.
  
• What do you wanna do? (Optional) - Judy says: "I want somebody to unload lead into his face till there is no face.". And of course she wants you to do it.
  
• Sure he'll be there? (Optional) - Judy is sure about it.

Choice 10 (We pay him no mind. choice):

• You're right let's do it. - You agree to kill Woodman.
  
• Rather not kill him. - You lie to yourself that you are a pacifist.

Choice 11 (After killing Woodman):

• Revenge is rarely worth it. - V tries to be clever about why revenge doesn't worth it.
  
• World has changed. - You tell Judy that the rest of the world is saved from Woodman.

This phonecall will happen after the mission "Ex-Factor". Judy will invite you over to her apartment to discuss a plan about how to take over Clouds. She will order pizza and asks for your preference.

Choice 1:

• Locust pepperoni. And extra cheese. - Judy likes this choice.
  
• Tofu'd tuna and pineapple. - Judy says that these things and pizza does not match but whatever.
  
• Don't like pizza. - Judy is curious if the next thing you gonna tell is you don't like breathing.
  
• Artichoke and avocado flavor. (requires ? Cool) - Judy thinks it's a fancy choice.

Choice 2:

• I'll be there. - You tell Judy that she can count on you.
  
• Need to think about it. - Judy says this plan needs you. You can't call her here just go to her apartment.
  
• You gonna tell me this big secret? (Optional) - Judy tells you that she figured out how to tweak behavioral chips to turn dolls into fighters.

After the fifth phonecall with Judy you can do the mission "Talkin' 'bout a Revolution". It's the third side mission related to Judy.

After some time has passed since finishing Ex-Factor, Judy will call ask you to come over to her apartment, wishing to discuss her plan to take over Clouds. She'll also note that on top of inviting two of Clouds' dolls, Tom and Roxanne, she also managed to convince Maiko this time. You can ask her for further details now or later, but she'll eventually reveal she learned to re-program the dolls' chips to turn them into fighters as a way to take over Clouds.

Make your way to her apartment where you can briefly talk to the group sans Maiko but after 2-3 dialogue choices, Maiko will make her appearance, interrupting any further dialogue. If you also killed Woodman, she'll remark on this which you can answer however you wish.

Judy will then discuss how she modified the behavioral chips and you can ask more on this if you have enough points in body and reflexes. Eventually Tom will be asked to demonstrate the chip's skills on you and will land you on the couch during it, earning Maiko's approval.

Judy then reveals once they take over Clouds, the bosses will be given an ultimatum to take a cut of the proceeds to never show up at the club again, giving the dolls control of the place, but Maiko points out an obvious flaw: the Tyger Claws will just send more security in to regain control. Instead, you need to go after Hiromi Sato, Clouds' real boss, and humiliate him in front of the rest of the gang's bosses to remove him. She'll then suggest attacking in both areas at the same time: Tom and Roxanne at the club and you at Sato's penthouse.

Once everyone is on board and leaves, Judy will talk to you some more before the relic malfunctions. After more dialogue, go to sleep on the couch and then wake up to see Judy's left you some food out on the kitchen counter. You can also look around her apartment some to find a few areas of interest that Johnny will comment on. Once ready, leave the building to complete the quest.

Side note: The title of the mission comes from the Tracy Chapman song, "Talkin' Bout a Revolution".

Choice 1 (Optional)
(Here I only chose the options related to Judy. I didn't choose the other options. You can only choose 2 dialogues before Maiko returns)

• Judy - So, what's the plan (Optional) - Judy: "Need to wait for Maiko."
  
• Judy - Feeling any better? (Optional) - Judy: "I'm on autopilot - I don't think, just do."

Choice 2 (Timed choice):
(You can further argue with Maiko if you like arguing but in the end Judy will interrupt you. Same results if you don't choose anything)

• Judy - So what's the plan? - Judy starts telling you about her plan.

Choice 3:

• Need to see it to believe it. - Tom starts showing what the chip can do.
  
• This have any side effects? (Optional requires 6 Reflexes) - V doubts that the tech hasn't got any side effects. Judy says that combat mode is auto-initiates when a threat is present and there is no way to to stop it.
  
• Being a solo's lots more than executing a series of movements. (Optional requires 6 Body) - V says that being a solo is harder than that. Judy says you are right but there is no time to proper training.
  
• How'd you ever come up with this? (Optional) - Judy says she learned how behavioral chips works and that they can be easily modified.

Choice 4:

• [Stand] Not bad. - Maiko is still not conviced by what Tom did.
  
• [Stand] Unconvincing. - You want to see some real action.

Choice 5:
(Here you have 1 option with Johnny too)

• I'm all outta questions. - You don't doubt anymore that the chip works.
  
• Nice work, Judy (Optional) - V says if Judy would sell this she'd be the richest Judy in the NUSA.

(After this you talk to Maiko)
Choice 6:

• You can count on me. - You agree to help Judy take over Clouds.
  
• Sorry, not for me. Gotta manage on your own. - You leave Judy alone in taking Clouds. She tries to convince you one last time. And also no romance for you.
  
• Rather not kill anyone. (Optional) - Just another lie about you being a pacifist.

Choice 7 (Sorry, not for me. Gotta manage on your own. choice):

• You can count on me. - You agree to help at last.
  
• [Stand] Got other things on my mind. - You let Judy down completely. And also no romance for you.

Choice 8 (You can count on me. choice):

• Out of the question. - You don't let Judy pay for your work.
  
• Much aprecciated. - You accept the eddies from Judy for the job.

(After this you try to stand up but fail due to Relic Malfunction)
Choice 9 (Timed choice):

• I'm all right now. - You say you are OK now but Judy freaks out.
  
• (No choice) - You still going to freak out Judy.

Choice 10:

• Forget about it. It's passed. - You don't want to talk about why you almost passed out.
  
• Relic's killing me. - You tell Judy the truth about the Relic.

(After this you can stay at Judy's apartment or just leave)
Choice 11:

• [Stand] Better be goin'. - You leave Judy's apartment.
  
• [Lean] Sure, thanks. - You stay at Judy's for the night.

"What's worse than a corpo? A wannabe corpo.

You know what? I'm not even surprised you let yourself get talked into this little uprising. Hey, back in my day I would've bum rushed the riot shields in the name of joytoys' freedom or whatever... But this Maiko chick? I've got a bad feeling about her." (from mission journal)

This side job is triggered by Judy's text message "Thank You". After some time Judy will call V that everything is ready to take over Clouds. V will meet Judy, Tom and Roxanne at Megabuilding H8 in the afternoon. The group will go over the plan once again before going to the maintenance level. V has to take out Tyger Claws before Judy can access to their subnet. V proceeds to take the elevator to the roof, then jumps to the balcony to get inside Hiromi's apartment. After getting past the several more guards, V must head to Hiromi's office, where Maiko will be waiting. She will reveal that, unlike the original plan to rid clouds of the Tyger Claws, Maiko actually desires to supplant Hiromi's position while remaining under Tyger Claw control. V must decide what to do next: either help Maiko or stick to the original plan and help Judy.

If V helps Maiko, she will take over Clouds, Hiromi dies and the other two Tyger Claw bosses live. Judy on the other hand will be very disappointed in them. V has the option of accepting payment from Maiko, but this option will cause Judy to permanently sever ties with V, making the Pyramid Song quest unobtainable.

If V helps Judy, the dolls will take over Clouds, and all three Tyger Claw boss die. Maiko will be angry with V and attack them. After this V leaves the apartment and takes the elevator to the ground level and meets with Judy. If Maiko was killed, Judy will be shocked but ultimately understand that V was acting in self-defense.
(I copied this from Fandom[cyberpunk.fandom.com] because I did write the base of the Walkthrough part.)

Side note: The title of the mission comes from the Jinjer song, "Pisces".

Choice 1:

• Judy - How do I reach Hiromi? - Judy got the blueprints and all the necessities to reach Hiromi. You have to access it from the service level.

Choice 2:

• We going in? - "Let's do this."
  
• Where's Maiko? (Optional) - Judy tells you that she's meeting with Hiromi to avoid raising any suspicions.

Choice 3:

• OK, on my way. - You are on your way to the penthouse.
  
• Not coming? (Optional) - Judy says she will stay because she can override their alarm
  system. Plus it's harder for you to get detected if you are alone.
  
• Can you get me in the penthouse? (Optional) - Judy says she unfortunately can't do that.

Choice 4:

• Maiko - Hold on. Think you've gone too far. - You tell Maiko to stop.
  
• Judy - Judy, stop. - You tell Judy you can't think if she talks. She gets upset
  
• (No choice) - Judy gets upset.

Choice 5:
(The mission has 3 outcomes which means 3 different scenes with Judy at the end. Here I don't cover all the choices just the end scenes with Judy)

Sticking to Judy's plan.

• Clouds is free, that's what's important. - Judy blames herself but you tell her what matters now is that Clouds is free. Judy kisses V.
  
• There's a difference between being a gonk and having faith in people. - V tells Judy not to be dramatic. Judy kisses V.

Sticking to Judy's plan but killing Maiko.

• I'm sorry. - You tell Judy you didn't see that coming. -
  
• Wasn't my fault. - Judy doesn't believe it. She thinks you could've found another way.
  
• She would've been worse than Hiromi. (Optional Corpo life path) - Judy doesn't think it was a reason enough to take her life.

(Wasn't my fault. choice):

• Maybe you're right. I'm sorry. - You admit to Judy that it was your fault.
  
• She should've been aware of the consecquences. - You tell Judy why it wasn't your fault.

Helping Maiko take over Clouds.
(Taking Maiko's money will make Judy more upset.)

• She was right. - Judy admits that she got carried away.
  
• Decided to give her a chance. - V tells Judy why he/she shouldn't trust Maiko if Judy does. Judy first says you shouldn't pin it on her. At the end she admits she got carried away.
  
• Change should come gradually. (Corpo life path) - Judy tells you that you care about the profit and not about the people. At the end Judy even admits that she got carried away.

• It's OK, I get it. - You tell Judy you get her frustration. She tells you she gotta cool down.
  
• Evelyn also wanted everything in one go. - Judy says it's true. Then she leaves.

This phonecall triggers the mission "Pyramid Song".

Choice 1:

• Been thinkin' about you. - You just revealed to Judy that you have a crush on her.
  
• Seen good days and bad days. - Just a regular answer.

Choice 2:

• Ask to your heart's content. - You tell Judy she can ask anything she want.
  
• Got a job for me? - V thinks it's another merc job then Judy thinks it's Johnny talking. She asks if things ♥♥♥♥♥♥ worse.

Choice 3 (Ask to your heart's content. choice):

• Count me in. - You agree on what Judy said. Still can cancel it in the next choice.
  
• Why the wetsuit? (Optional) - Judy doesn't tell you what she is up to.

Choice 3 (Got a job for me?):

• A little bit. - Judy feels sorry for you.
  
• Things've stabilized. - Judy says she would've gone crazy if she had Johnny in her head.
  
• Hard to say. - Judy says she is not going to pretend she gets what you said.

Choice 4:

• OK... is this a date? - You ask Judy if this is some kind of date. Judy says that you will have to find out.
  
• See you there. - You tell Judy that you will be there.
  
• Don't have time, sorry. - You reject Judy but you can still change your mind after that.
  
• That's it? No details? (Optional Got a job for me? choice) - Judy won't say anything about what she wants to do.

Choice 1:

• What're we doing here? - Judy figured out how to scroll two actors' experiences at the same time.
  
• The Mox - any news? (Optional) - Judy doesn't know much about what's going on with the Mox.
  
• How're things at Clouds? (Optional) - Judy doesn't know much about what's going on at Clouds.
  
• Why the long face? (Optional) - Judy just doesn't want to talk about the world right now.

Choice 2:

• Why here of all places? Where are we? - Judy tells you that it's a special place.
  
• How do you blend two separate experience tracks? (Optional requires ? Tech) - Judy tells V how she managed to do it. First she wanted to create a single profile out of two data streams but it didn't turn out well.
  
• Just tell me what to do. (Optional) - You have to scroll a virtu.

Choice 3:

• Judy - [Stand] Hell yeah, I'm in! - Get in your wetsuit it's diving time.
  
• Judy - [Stand] Diving not my thing. - You rejected Judy at the last time.
  
• Johnny - Why? (Optional) - He is just afraid of the dark that's all.

Choice 4 (Before putting on the wetsuit):

• Do this often? (Optional) - Judy says she dives as often as she can. She is also very picky about her girls.
  
• Why'd you choose this place? (Optional) - Judy says you will have to wait a bit longer to find out.

Choice 5:

• Laptop - [Put on scroller] Let's do this. - You put on the scroller and ready to dive in.
  
• Judy - The water's toxic. (Optional) - That's what the wetsuit is for, dummy.
  
• Judy - You didn't ask if I knew how to swim. (Optional) - Judy doesn't buy it.
  
• Judy - Looking fine in that wetsuit. (Optional) - Judy says you should see her in her MaxTac uniform.

Choice 6 (Timed choice):

• Seems like, to you, BDs're more than about makin' a living. - Judy tells that is how it is.

Choice 7 (Looking at Judy's butt):

• Yep, view's preem. - Judy says don't get excited because oxygen supplies are limited. For male V... well... don't look at her butt.
  
• Um, sorry. - If you are a female, Judy doesn't mind at all.
  
• Hang on, you can see what I see? (Optional) - Judy does see everything you see.

Choice 8:

• Don't know the title. Can hum it back, though. - Judy says you are talented. Now you are perfectly synced.
  
• Hear you just fine. (Optional) - Judy starts humming again.

Choice 9 (Timed choice):

• Incredible. - Indeed.
  
• Had no idea there were buildings down here. - You tell Judy that you had no idea there was a sunken town down there.
  
• You wanna explore this? - Judy says she wants you to explore it.

Choice 10:

• Got some connection to this place? - Judy says she grew up here. She haven't been there since.
  
• Yeah... I remember. (Optional) - V says he/she remember what happened to Laguna Bend.

Choice 11:

• [Let go] Let's get moving. - You keep moving forward.
  
• Why are you showing me this? (Optional) - Because it's important to her.
  
• This'll be perfect? For what, exactly? (Optional) - Judy wants you to feel her the emotions Laguna Bend brings out of her.

Choice 12:

• I want to keep going. -
  
• What about your parent? (Optional) - Judy says she never knew her dad and her mother died when she was tiny.
  
• [Give camera] This is for you. (Optional) - Judy thanks you.
  
• Did you like living with your grandparents? (Optional What about your parent? choice) - Judy says she learned every tech thing from her grandfather and she never got bored with his stories. Her grandmother has the same attitude as Judy.
  
• Where are your grandparents now? (Optional Did you like living with your grandparents? choice) - They went to Night City for a few years. They lived where Judy does now. Then they moved to Oregon.
  
• Now I know where your temper comes from. (Optional Did you like living with your grandparents? choice) - Judy says she has no idea what you are talking about.

Choice 13:

• [Get up] How'd you pull me out? - Judy wasn't thinking just did what she had to do.
  
• What happened? (Optional) - You passed out. Again.

Choice 14:

• Ignore him. - You tell Judy to ingore Johnny's babbling.
  
• You heard him? (Optional) - Judy caught a thought which wasn't completly yours or hers.

Choice 15:

• [Stand] Why not. - You agree to stay with Judy right away.
  
• Bad idea, prolly. - You want to leave and go back to the city.
  
• Stay... where, exactly? (Optional) - In the cottage obviously.

Choice 16 (Bad idea, prolly. choice):

• Well... all right then. - You agree to stay.
  
• No dice. Let's go. - You refuse to stay.

ű
Choice 17:

• Black. - "Like the heart of a merc."
  
• With sugar. - "Mmm... tough on the outside... sweet on the inside."
  
• With milk. - "Heh, same as me."
  
• With milk and sugar. - "Goin' all in, huh?"

Choice 18:

• I can go turn it on. - You tell Judy you go outside and turn it on.
  
• A generator? How luxurious. (Optional) - V thinks a generator is luxurious for a small cottage.

Following choices all end the same way.
Choice 19:

• [Knock] Did you say something?
  
• [Knock] About that coffee...

Judy will say she is fine.
Choice 20:

• [Sit] We're still synced. - You tell Judy to don't ♥♥♥♥♥♥♥♥ you.
  
• [Sit] Thinkin' about Evelyn? - You ask if Judy is thinking about Evelyn.
  
• [Sit] Don't trust me? - You ask if Judy still doesn't trust you.

Here what Judy says can differ by what outcome did you choose in the mission "Pisces"

There are a few important things I should mention before the actual romance with Judy. Basically this is the part where I write down the requirements.

• You have to create a full female V at the start of your playthrough (This means your V should have female body and voice as well. Although modders managed to unlock the romance option between Judy and male V, it only works with female V).
  
• Accept all side missions from Judy (Rejecting these missions or failing them won't get you to the romance option).
  
• Make the right choices (Although some choices doesn't have effect on your relationship with Judy e.g. letting Woodman live or killing him won't affect your relationship. On the other hand there are some choices which has an effect on the relationship e.g rejecting Judy when she asks you to help her take over Clouds, Letting Maiko take over Clouds and accept money from her).

Basically you can have Judy if you support her and do everything for her (For me it's a bit strange. Just imagine doing everything for someone nowadays and getting into friendzone).

You can also choose to have a one night stand with Judy instead of a romantic relationship.

• [Touch] It is ours. - Triggers the love scene with Judy.
  
• [Lean away] Bad idea. - Rejecting Judy. In my opinion this is the most awkward moment in the game .
  
• [Comfort] Why didn't you wann tell me? - Extra dialogue option, after choosing this you can still reject Judy or have a good night with her.
  
• (No choice) - Same outcome as [Lean away] Bad idea. choice.

Choosing [Comfort] Why didn't you wann tell me?

• [Kiss] Stop thinking about it. - Triggers the love scene with Judy.
  
• You'd blame yourself even more if you hadn't tried. - Judy says maybe you are right.
  
• Things could still work out. - Judy would love to share your optimism.

(Last 2 options similar to [Lean away] Bad idea. but less awkward)
Here are 3 different outcomes

Rejecting and leaving Judy won't get you anything later in the game. She doesn't even message you about leaving Night City and you won't get a scene at the end of the game.

Rejecting Judy but staying for the night.

• What're you trying to say?! - You can't believe Judy wants to leave Night City.
  
• You're crazy. But I'll miss ya. - You tell Judy that she is chaotic, unstable and hotheaded, but altogether happy to be a part of her life.
  
• It'll be the same anywhere else. (requires Corpo life path) - You tell Judy that it'll be the same because corps do the same thing in every city.

(Judy will still gives access to her apartment.)

• I don't know what to say... - "Take care, V."
  
• You sure? - Judy considers you as a friend. She says there is nothing else to add.

(Judy says she'll leave in a couple days. V can't believe it's so soon).

Getting laid

• The beginning of something amazing. - After saying this, Judy reveals she wanted to leave Night City. You made her stay. For you.
  
• A pleasant distraction. - Well you know how to ruin everything, don't you?

• Why did you wanna leave? - Judy says some things just got to her recently. But now she has a reason to stay.
  
• Gonna make it up to you, somehow. - "Hm... Yeah, that would be appropriate."

• I don't know what to say... - V says it really shows trust.
  
• You sure? - Judy says she likes you a lot. There's nothing more to add.
  
• It's like that joke. - Some adult joke...

Choosing A pleasant distraction.:

• Wait. - You want to take it back but it's to late you already f*cked it up.
  
• See ya. - "Yeah, bye, V. Have a nice life."
  
• (No choice) - Same outcome as Wait. choice.

Here I wanted to capture some emotions without making it NSFW.

You can trigger these conversations through phone as well but I wanted to get some better quality images with my girl in her apartment.

• You ever recorded any cool braindances? - Judy asks what exactly do you mean by cool.
  
• What's new with the Mox? - Judy says she gets the usual treatment from Susie.
  
• [Lean] I'd like to spend more time with you. - "Quality over quantity, V."

Choosing You ever recorded any cool braindances? choice:

• I take an interest in everything. - BDs for V are about who killed who, but for Judy it's more like art.
  
• Why do you work in porn? - Judy says her BDs are better because her actors love what they do and that's why everyone wants to fell them.
  
• How'd you get into braindances? - Judy always had a techie streak. When she felt her first virtu she wanted to make better ones by herself.

Choosing What's new with the Mox? choice:

• Maybe you should become their leader. - Judy doesn't want to. She only wants to tune virtues that's all.
  
• Why'd you join them in the first place? - Judy thought the gang could really change something in the city.

Choosing [Lean] I'd like to spend more time with you. choice:

• I'll try. - You tell Judy that you will try to tie your loose ends.
  
• You still wanna leave? - Judy wants to leave but now she has a reason to stay. This reason is obviously you.

Shards in Judy's apartment:

• 75 Years of Cyberware, by Tsutomu Takahashi
  
• Cyberware Usage and its Side Effects
  
• Pain Editors and Mortality Rates
  
• Rewiring Synaptic Pathways
  
• New Release Braindances
  
• Tech thingy - notes
  
• Thorton: Owner's Manual
  
• Why Be Me?: Confessions of a Braindance Addict
  
• The Green Death
  
• Relive.it - Braindance Quarterly
  
• "Bushidō" and Neopostmodernism
  
• Braindances - concepts

Weapons in Judy's apartment

• 5x F-GX Frag Grenade (Common)

Consumables in Judy's apartment

• 1x Sojasil Molotov Cocktail
  
• 1x Broseph Lager
  
• 1x Tomato "Juice"
  
• 1x Vatnajökull (Still)

Components in Judy's apartment

• 4x Common Item Components

Everything alright?

From: Judy Alvarez
To: Roxanne Sumner

Hey Rox, how's it going? How're things at Clouds?

-----

From: Roxanne Sumner
To: Judy Alvarez
RE: Everything alright?

It's up and down. Mostly down. Tom and I were actually just talking about it today.
I guess nothing's really changed...? I got super pissed off and laid into Maiko that things were supposed to be different. Clearly, she couldn't give less of a f*ck. She said if I didn't like it here, I could just leave. And maybe I will.
Our pay hasn't gone up by a single enny. We talked to Maiko about medical care and paid leave. She said it was out of the question for now.
On the plus side, there aren't any more Tygers skulking around. But ya know, I still ask myself every day if it was worth killing all those people... Sh*t weighs on my conscience, Judy.
I'm a murderer.

How goes it?

From: Judy Alvarez
To: Tom Caldera

Hey, Tom. How goes it? How do you feel after everything?

-----

From: Tom Caldera
To: Judy Alvarez
RE: How goes it?

Fine, all things considered. Rox's conflicted about killing those people, but I don't. The motherf*ckers had it coming. Thing is, though... Maiko's not much better than she used to be. She still treats us like trash, as if she wasn't trash herself. What can I say - makes me sad when I think about it. I thought things'd be different now...

About Clouds

From: Judy Alvarez
To: Maiko Maeda

Yeah, I've chilled, and I've finally realized why you needed to make your little power-move and make me out to look like a psycho b*tch.
It wasn't easy to come to terms with, but since you already planted your flag, can we talk about what to do next? Despite what you said about Evelyn, I haven't seen something get under your skin like that in a while.

-----

From: Maiko Maeda
To: Judy Alvarez
RE: About Clouds

Judy, stop pushing my buttons. Now all of a sudden you know when I do or don't give a damn about something? I stopped spilling ever since you decided to "fix" Clouds.
As always, you've got a plan to save the world, but you expect me to do it.
If you want to do something about it, then by all means. But don't wait for anyone else. Get in touch once you've got specifics. One merc isn't enough.

-----

From: Judy Alvarez
To: Maiko Maeda
RE: About Clouds

I have specifics. My place. Tonight.

-----

From: Maiko Maeda
To: Judy Alvarez
RE: About Clouds

I'll be there.
One condition - you'll keep your distance when things go down. That's what mercs are for.

-----

From: Judy Alvarez
To: Maiko Maeda
RE: About Clouds

I think it's time you understood that you're not gonna decide for me anymore. This is my plan and I'm the[sic] gonna do it my way. You can either help me or you can keep telling me how naive I am for wanting to shake up the system, how everything needs time and pragmatism. But you know what? My patience for that bullsh*t is gone. Why do you even want me to "keep my distance?"

-----

From: Maiko Maeda
To: Judy Alvarez
RE: About Clouds

Maybe I just don't want something to happen to you... or maybe I think you're unstable and that you'll f*ck everything up. Your pick. You always seemed to know my own reasons better than me. Why keep pretending?

need advice

From: Judy Alvarez
To: Lucy Thackery

I have a friend with a doll chip that was damaged by a netrunner. Since the attack she's been catatonic. The chip was fixed and functions normally, but her condition hasn't improved. I'll pay for expert advice.

-----

From: Lucy Thackery
To: Judy Alvarez
RE: need advice

Here's what I'd do - uninstall that chip. Just make sure you do it with the proper anesthesia and that she's closely monitored. In any case, you can just bring her to me.

-----

From: Judy Alvarez
To: Lucy Thackery
RE: need advice

How about a house call? I'd rather not move her - she's been through every kind of hell you could imagine. I'll pay extra.

-----

From: Lucy Thackery
To: Judy Alvarez
RE: need advice

OK. I have a free slot tomorrow.

-----

From: Lucy Thackery
To: Judy Alvarez
RE: need advice

And? Still nothing?

Help

From: Evelyn Parker
To: Judy Alvarez

Heeeey, it's been like a thousand years since we aaw each other! What's up with you, girl? You still cooped up in Susie's basement? Still with Maiko? Hoping at least one of those things isn't true anymore.
Soooo I've got a tiny favor to ask... OK, it's more like a humongous favor. Super important to me, but should be a breeze for ageek like you. Holler back at me!

-----

From: Judy Alvarez
To: Evelyn Parker
RE: Help
Hey Ev,

Mind straight up just telling me what's going on? This got anything to do with your previous messages?
And yes, one of those things isn't true anymore.

-----

From: Evelyn Parker
To: Judy Alvarez
RE: Help

I need you to scroll a virtu for me. That's it, I promise. In exchange, I'll make sure you don't have to do anything for the rest of your life but art. Let's just meet, OK? Where can I find you these days?

-----

From: Judy Alvarez
To: Evelyn Parker
RE: Help

Susie's basement.

Working with us

From: N. Wons, Channel N54
To: Judy Alvarez

Hi!
We're the biggest TV broadcast channel in NC. Some of your BDs recenty fell into our lap and we're really impressed. We'd like to offer you the chance to work in a young, dynamic team of artists like yourself, with flexible working conditions and the chance to create an eye-popping portfolio. Let us know what you think!
Best wishes,
Nichole Wons

-----

From: Nichole Wons
To: Judy Alvarez
RE: Working with us

Hi Judy,
Did you receive my last message? We'd really like you to consider our offer.

-----

From: Judy Alvarez
To: Nichole Wons
RE: Working with us

I assumed no answer was enough?

-----

From: Nichole Wons
To: Judy Alvarez
RE: Working with us

Hi Judy,
Of course, I understand. Let us know if you change your mind.

Need your advice

From: Roxanne Sumner
To: Judy Alvarez

Hey!
I had a really weird sich with a client. I met him at the bar when I was offline. He said he'd been coming to me exclusively for a few months and that he wanted to get to know me. We talked a lot. He's a corpo. He said his job isn't that different to mine because he also has to put on an act all day. Like, he has to play golf with his boss, who he hatesor whatever. He seemed kinds nice. Now he wants to meet up outside of Clouds. What do I do???

-----

From: Judy Alvarez
To: Roxanne Sumner
RE: Need your advice

Take him to Lizzie's so we can keep an eye on you, just in case. And keep a stunner on you.

Work with us, Judy!

From: Rajeev Roy, Singhad Studios
To: Judy Alvarez

Hi!
We're one of the biggest movie production studios in the world. We'd like to offer you the chance to work in a young, dynamic team with flexible working conditions and the chance to create an eye-popping portfolio.
Best wishes,
Rajeev Roy

-----

From: Judy Alvarez
To: Rajeev Roy
RE: Work with us, Judy!

Stop messaging me.

Actor

From: Judy Alvarez
To: Evelyn Parker

Hey Ev,
I'm looking for a BD actor - client wants as little chrome as possible. Age doesn't matter. Know anyone who'd be up for it? Eddies aren't spectacular, but they're not terrible either.

-----

From: Evelyn Parker
To: Judy Alvarez
RE: Actor

I'll ask.

From: Judy Alvarez
To: Evelyn Parker
RE: Actor

That's it? Two words? Everything alright?

-----

From: Evelyn Parker
To: Judy Alvarez
RE: Actor

I dunno, Judy. Everything's been nagging at me lately.
Starting to think I wasn't made for this. Sleazy clients, porn, piss-poor conditions, sh*tty eddies.
Wasn't meant to turn out like this. We deserve more, don't we?

I f*cked up

From: Evelyn Parker
To: Judy Alvarez

Hey Jude,
Sorry about earlier today. I was pissed at Susie and you took the flak for it.

-----

From: Judy Alvarez
To: Evelyn Parker
RE: I f*cked up

I know you. Know how you work. But you played the wrong hand.

-----

From: Evelyn Parker
To: Judy Alvarez
RE: I f*cked up

I know :P

-----

From: Judy Alvarez
To: Evelyn Parker
RE: I f*cked up

Talk to her again once you're both chilled. I'm sure it'll be fine.

-----

From: Evelyn Parker
To: Judy Alvarez
RE: I f*cked up

I doubt it.

Compensation

From: Judy Alvarez
To: Sydney Roberts

I'd like to explore my options about an unlawful juvenile detention when I was sixteen years old.
I'm pretty sure I'm owed some kind of compensation. I'm looking for a lawyer who can take on this case for 10% of the awarded sum.

-----

From: Sydney Roberts
To: Judy Alvarez
RE: Compensation

Hello, can you please provide more details? How are you so sure the sentence was unlawful?

-----

From: Judy Alvarez
To: Sydney Roberts
RE: Compensation

I was convicted for stealing a fire truck and for the illegal use of property belonging to the fire department. Except I didn't steal that truck. I found it in a scrapyard and fixed it up. It took me half a year, but when I was done it looked better than factory new.
They busted me on my first ride. Nobody believed that I didn't steal it.

-----

From: Sydney Roberts
To: Judy Alvarez
RE: Compensation

Winning compensation from the city council is extremely difficult and in my opinion not worth the trouble.

-----

From: Judy Alvarez
To: Sydney Roberts
RE: Compensation

So you don't believe me either. Thanks for nothing.

Please forgive me

Ugh, Evie.
I can't believe you're not here anymore.
I regret everything I did. And everything I didn't do. Why did I help you with the braindance?!
Why did I let this gonk heist happen?
Why didn't I see what you were up to until it was too late?
Why didn't I protect you?
I let you down and I'll have to live with that for the rest of my life.

Shopping list

High-index contact lenses
Buoys with sensors
Neural signal augmenter
Idea: pain circuit breaker for dolls. Once the max. pain threshold is reached, the session automatically shuts down. Client receives a fine.

Choice 1:

• Wish it'd been anything else.
  
• High time I faced it.
  

For both choice Judy's respond will be the same. She says whatever you want to do just try. She'll be waiting.

If you've called Judy during the Nocturne Op55N1 job, you'll wake up next to her in your penthouse.
(I haven't explored these choices yet)
Choice 1:

• Judy - [Kiss] Morning.
  
• V - [Stand] Hey... I'ma take a shower.

Choice 2 (Judy - [Kiss] Morning. choice:

• [Stand] Gonna hop in the shower.

After getting up, you will take a shower. Judy will join you. You will talk in the kitchen, and walk out, say goodbye to her.
Choice 3:

• Nothing's wrong. For the past few weeks, nothing...
  
• Just tired...
  
• You know what's wrong. I'm dying.

Choice 4:

• Special?
  
• Lost?
  
• What?

Choice 5:

• What phase is this?
  
• Things'll be different now.
  
• That's life in this city.

Choice 6:

• Still got something to prove this city.
  
• Don't have much time. It's gotta be now.
  
• Wherever you go - won't let you forget me.

Choice 4:

• [Hug] Time I was on my way.
  
• [Step away] Better get goin'.

Choice 1:

• All set to go? - Judy realized she didn't have too many stuff to pack.
  
• So glad you didn't change your mind. - Judy made up her mind before you did.

Choice 2:

• Everything OK? - Judy realized she never felt right in Night City.

Choice 3:

• [Embrace] But it was pure illusion. I know. - Judy had a strange feeling all along.
  
• [Embrace] You'll find your home. - You tell Judy that she will find her place too.

Choice 4:

• You're not running away. This is a new opportunity. - Judy finds it interesting you say that.
  
• Think I know what you mean. - You think Judy feels betrayal, like the city offers her another sweet promise.

Choice 5 (Think I know what you mean. choice):

• All those promises are empty.
  
• Forget Night City. - You say it, but Judy doesn't know how can she forget Night City.

Judy used to mark life stages as phases in her life. Everytime she thought she found a new home but everytime she came away dissapointed.

Choice 6:

• Things'll be different, now. - Judy asks you if you can promise, but you say you don't have to. You think for sure it'll be better.
  
• The very reason we gotta leave. -

Choice 7:

• We'll be goin' soon. - You tell Judy it's soon time to leave and to be on Panam's good side
  
• [Hug] I like it too. (Optional) - You hug Judy. You say that everything's gonna be alright.

As you leave Night City with the Aldelcados, Judy will tell you that she is happy to leave Night City and she wanted to do it with Evelyn.

V can call Judy optionally. (Didn't really explore options because I think it's the worst possible ending for the story)

Choice 1:

• Got rid of the biochip.
  
• Just feeling down.
  
• Not about to even try explaining..

Choice 2:

• Great to hear your voice.
  
• Doctor up here's a real b*tch. (Optional)
  
• Think I might be going nuts. (Optional)

• Judy drives a personalized Villefort Columbus named Sea Dragon.
  
• Judy used to smoke when she was younger, but quit at some point. After a certain event in 2077, she relapsed.
  
• In Elizabeth Peralez's laptop in her penthouse, there is a conversation between her and Judy in which the techie recommends V for a work, leading to V's employment for the quest I Fought the Law. After the merc answers Elizabeth's call and accepts her job, the next time V calls Judy, she will inquire about it. Depending on how far in that quest you are, V can tell her about the job.
  
  
• For videos, I can recommend the YouTube channel of Kazuliski. He made a lot of videos about Judy and many other things in Cyberpunk 2077.